Art research paper

Art research paper

art research paper

Ancient Art History Research Paper Topics. It’s difficult to write about ancient art, especially if you don’t pick a good topic. Fortunately, you can find some of the best ancient art history research paper topics right here: The industrial revolution and the development of art. The main motifs in ancient Greek art A list of important art research paper topics. Art history; Art in 18th century; Greek sculpture evolution; Ancient Greek Art; Censorship in art; You can also choose a topic to write your art research paper about a great artist as well. Some of the artists are: Michelangelo; Raphael; Walter Benjamin; Da Vinci ; Art Research Papers. As you can see a properly planned work will result in a great art research paper 25 Great Art Research Paper Topics. Despite art can’t be measured with figures and its value depends a lot on personal impressions, it still can be the subject of research. Studying something so connected to emotions may seem a challenging task, but don’t worry: there is a lot of perfectly credible data you can use in your research paper if only you choose the right topic



Sample Research Paper on Formal Analysis of Art



This sample art research paper features: words approx. Browse other research paper examples for more inspiration. If you need a thorough research paper written according to all the academic standards, you can always turn to our experienced writers for help.


This is how your paper can get an A! Feel free to contact our writing service for professional assistance. We offer high-quality assignments for reasonable rates. The arts and sociology, as Pierre Bourdieu observed, make uneasy bedfellows. It is an unease that pervades American sociology even more than he imagined.


We should bear in mind that barely two decades have elapsed since a handful of American Sociological Association members succeeded in convincing a necessary quorum of colleagues to sign the petition required to set up a new Section.


Culture and the arts have become increasingly visible in sociological publications Peterson ; Art research paper ; Crane ; Balfedisciplinary recognition Griswoldand professional organizations, both in the United States and elsewhere Zolberg But despite the richly textured potential that the arts afford for social science disciplines, it appears that American sociologists continue to devote relatively little attention to them.


This research paper provides an account of the persistent hesitancy to recognize the arts as central rather than peripheral in the social scientific field even in the face of the extraordinary promise that artistic transformations in the past art research paper would seem to offer.


The theme is that despite the increasing prominence of culture in the profession, the standing of the arts in American sociology appears to have changed less than might have been expected. Less than a half century ago, a survey of the sociology of art would have begun and ended with contentiously worded assertions concerning the relationships of the arts and society. Certainly, many scholars affirmed that in some ways art mirrors society, but at that point consensus would end. Some insisted that art reflects societal production relationships, serving largely as an ideological tool to maintain dominant groups in favorable situations.


Other scholars, with equal certainty, maintained that great art should be treated as part of an autonomous sphere, surmounting material constraints, but in some way reflecting the spirit of its age. Certain versions of reflection analysis see art reaching for higher values, foretelling cultural and societal tendencies.


As divergent as they are in art research paper foundations, these interpretations of the relations of the arts and society aim to unearth hidden postulates of art in relation to broad social structural processes.


Whether from the standpoint of Marxist analysis or anti-Marxist idealism, these are universalizing conceptions of art, representing a Western European, hierarchical scheme of cultural classification Bourdieu Sorokin embraced 2, years of civilization; Hauser starts from the even earlier point— prehistoric cave painting—and both ended their analyses with their own artistic contemporaries.


Neither passes muster in the face of modern anthropological perspectives, which see art as part of a cultural system, embedded in its cultural context Geertz Regardless of the political or intellectual stance of individual scholars today, their ambitions are far more modest. They rarely undertake to encompass such magisterial breadth entailing so speculative an outlook. This does not necessarily result in a narrowing of vision, however, since the types of art that contemporary researchers consider worthy of analysis are far more varied than what their predecessors documented.


Neither Hauser nor Sorokin paid much attention to nonWestern civilizations, barely any at all to primitive and folk forms, and, except disparagingly, to commercial art and entertainment Hauser Neither considered the absence of women artists a question art research paper of scrutiny.


Even within the domain of fine art, both shared a largely unexamined but generally unfavorable opinion of avantgarde art. Finally, like most of their more aesthetically oriented peers, art research paper, although they dealt with changing genres and stylistic modes, they accepted extant categories of art as unproblematic givens, without considering that other creative forms might be valid for inclusion in the aesthetic field Zolberg Yet beyond their ambitious reach, what is remarkable about the Hauser and Sorokin studies is that they were truly exceptional, since on the whole social scientists art research paper short shrift to the subject of art.


Even though American sociology had its origins in, and continued art research paper look toward European theoretical formulations, aside from literary and aesthetic scholars who sometimes touched ever so lightly on the social contexts or cultural history surrounding the arts, in the first half of the twentieth century, the sociology of art was largely the concern of a few European scholars.


A single major work by Max Weber dealt directly with a specific art form— music—as a case of his theory of cultural rationalization in the West. Only Georg Simmel wrote frequently about the arts, although less as a social scientist than as a literary and art critic, philosopher, or fashionable essayist Coser By the end of World War II, American sociology, along with American science more generally, became the most dynamic and expansive in the world.


This growth was a counterpart to the prominence of the United States on the international scene as the champion of Western humanist values during the war, art research paper, and defender of freedom during the cold war Guilbaut ; Saunders American social scientific scholarship, however, hardly acknowledged the arts as a legitimate object of study. This stance had its nearly symmetrical correlative in the opposing and equally intransigent stance on the part of humanistic scholarship, including literature, aesthetics, art research paper, art theory, musicology, and history of culture, toward what seemed the threat of the social sciences.


The increasing preeminence of the exact sciences during and after the war had drawn many social scientists to adopt the presuppositions, techniques, and methodologies of these disciplines, an orientation that cast a shadow over humanistic subjects such as the arts, and qualitative interpretive methods that art calls art research paper. Still, as higher education was expanded, despite official emphasis on the exact sciences, all university studies were made to grow, including the social sciences and the humanities.


Until the post—World War II period, in the United States, the few scholars who did social studies of the arts were emigré scholars, especially art research paper of the Frankfurt School, such as Theodor Adorno []who were escaping persecution by totalitarian states. Straddling the intersection of the humanities and social sciences, these exiles often remained marginal to mainstream intellectual life, were treated as outsiders, and saw themselves in that art research paper Wilson v.


Their insistence on taking an evaluative position in their social analysis, rejecting what they regarded as a fictive scientific objectivity, reinforced the exclusion they suffered from the academic mainstream of American sociology. Nevertheless, some of them attracted a following of American scholars, intrigued by and sympathetic to their inquiry in the spheres both of high culture and their critique of culture industries.


Although the legacy of earlier misgiving persists, in recent times, it has become considerably muted because of changes in both sets of disciplines that have produced art research paper in their orientations Zolberg art research paper Although in many European countries a considerable body of scholarship was devoted to art research paper, it was only in the post—World War II period that an autonomous field of sociology of art, distinct from philosophy, history, or criticism materialized.


This was the case in France, as the sociologists Pierre Bourdieu [] and Raymonde Moulin []provided important intellectual leadership and the French state gave institutional support. German philosophical, musicological, and art historical scholarship continued to straddle the social domain as successors to the Frankfurt School tradition for whom the arts, both fine and commercial, were foci of critical study. Williams led the way to open up the social study of the arts by introducing popular forms, such as the movies, radio, jazz, and more popular forms, art research paper.


In the United States, students art research paper faculty who considered the university an agent of government policy, especially through its involvement in the Vietnam War, challenged what they suspected were biases of the social sciences.


Simultaneously, in relation to some of the same developments, the art world itself was art research paper transformation. The trend that had begun much earlier, for the center of the international art market to shift from Paris to New York became a reality in the immediate post—World War II period. The material conditions that encouraged the entry of large numbers of aspiring artists into the avant-garde art world included growing foundation, corporate, and government support for the arts Crane Political ideology played an important role in the form of cold war strategy by American advocates of government support for the arts, who successfully argued for creating a hospitable environment for artistic originality to serve as evidence of the creative freedom that was anathema under authoritarian regimes Guilbaut ; Saunders Besides providing an opportunity structure for artists, indirectly, it opened the path for social scientists interested in culture, whose forays into studies of the arts gained some legitimacy.


Prior to that time, aside from a few articles, no major sociological works had increased the small, pres bookshelf. An indication of the new trend appeared in the exploratory work, The Arts in Society a reader edited by Robert Wilsonwho wrote a number of its essays and solicited additional art research paper. They were generously open to divergent views that encompassed even Marxian analysts, art research paper.


At the same time, however, these essays demonstrated the infancy of the field of sociology of art: of the authors represented, art research paper, only onefourth were actually sociologists, while the rest were in anthropology, comparative literature, history, art research paper, art history, or were practicing artists, painters, dancers, writers. The happy result of this omnium gatherum was that Albrecht and his coauthors contributed to the creation of an American field that integrated European approaches and was strongly cross-disciplinary, ranging over the fine arts, art research paper, classical and contemporary, as well as folk art, music, dance, and literature, and art research paper corresponding institutional grounding.


In light of changes within sociology itself, as well as developments exogenous to the art research paper, the sociology of art in the third millennium may be characterized by four trends, art research paper. First, continuing from already tested frameworks, art research paper, sociologists examine the roles of the institutions and processes that give rise to or constrain the emergence of artworks.


Second, they analyze the artistic practice of creators and patterns of appreciation and acquisition of patrons and collectors, art research paper. Third, they investigate degrees of access for diverse publics to the arts and the role of the arts in status reproduction.


The rapid succession of art styles that has characterized nineteenth- and twentieth-century Europe and the United States is taken by some to be emblematic of the innovativeness of modernity but by others art research paper an indication of over-ripeness, cultural decadence, and anomie.


For sociologists of culture, generally more dispassionate than cultural critics, developments of this kind provide opportunities for research and theorizing that many analysts hope will help to understand the nature of societal transformations more generally.


The use and misuse of aesthetic creation in the interest of particular groups or political ends is one of their recurring concerns Gans; Goldfarb ; Halle At the same time, the idea of a domain of art free from material purposes outside of itself remains a seemingly unrealizable ideal, both for artists and for publics more generally.


Methodological approaches range from an empiricism that relies on quantitative tools to analyze masses of available data, such as the degree of access to cultural resources Blausurvey data of art world practices, and audience studies Gans Equally empirical, art research paper, but based on microscopic observation and qualitative analysis of cultural practices, is the ethnography of Howard S.


Historical and semiotic perspectives have been imported from literary analysis into the social studies. Even more striking is that the range of works and art forms investigated has burgeoned and includes the commercial domain—culture industry—as well as the more traditional fine arts Peterson Increasingly, sociologists, following Gansrecognize that the arts may exclude as well as include.


The absence of certain classes of art research paper artists such as women and racial minorities from what were defined as the most distinguishing and distinguished art forms art research paper no longer taken for granted Bourdieu art research paper Defining culture in a broadly pragmatic sense that allies it to anthropology, it comprises art, popular culture, science, religion, symbols or, more generally, meanings, Richard Peterson and his associates urged that the questions broached by scholars themselves determine the use of synchronic or diachronic modes according to their appropriateness.


Proponents of the production of culture approach consider how cultural products were constituted, accentuating the effects of institutional and structural arrangements, both as facilitators of or impediments to creation. Characteristically, they prefer doing middle-range and microscopic analysis that, they believe, more effectively reveals the impact of laws, culture industry practices, and gatekeepers of the form and content of artworks.


Critics and artists have decried, virtually since their establishment, the role of certain institutions, such as official academies and government agencies or ministries that are supposed to provide support for artistic creation.


Following the pioneering art research paper study by Harrison White and Cynthia Whiteamong the first to analyze systematically the changing structure of opportunity that the French Academy provided for artists of the French painting world in the nineteenth century, more recently, a study of how academies selected for exclusion was carried out by Gladys Engel Lang and Kurt Lang Focusing on the revival of etching as an art form in the nineteenth century, they show how keeping out or severely limiting women as students and members by most European academies impeded their entry into the highly regarded world of oil painting.


Diverted to other, lesser media, such as etching and watercolor, whose professional organizations were newer and less restrictive, art research paper, aspiring women artists were able to launch careers and gain a art research paper of status and recognition.


Research on French art institutions has continued to thrive with the work of Raymonde Moulin on the interplay among art museums, the art market, and government policy in providing official recognition for innovative art Art research paper most significant contribution to understanding how the arts are constituted was Howard S. Taking into account the size and complexity of modern societies, Becker does not reduce the arts to a single art world.


Instead, he argues that art making is constituted in four principal art worlds, each characterized by a particular style of working, based on its own conventions. Thus, the integrated professional artist is trained according to the conventions of an art form such as music, painting, and dance, within the domain either of high culture or commercial. The Maverick is also trained according to those conventions but refuses to abide by them, preferring to risk isolation and failure to innovate on his own terms.


Finally, outside of actual constituted art worlds, the least integrated is the naive artist, untrained in art who follows an internal urging to create works that represent idiosyncratic experiences or ideas about religion, representations of personal remembrances, or even aberrations and madness.


Art research paper reality, taste is always being argued about. Thorstein Veblen had been one of the first social scientists to interpret the symbolic meanings of taste in his analysis of leisure class behavior during the Gilded Age. Approximately a half century later, Russell Lynes [] published his classification of high- art research paper, middle- and low-brow taste preferences, in which artworks and fashion are taken as status art research paper. Far from viewing taste as trivial, purely personal, and difficult to fathom because it is nonrational, sociologists such as Bourdieu contend that taste is social in its formation, symbolic in its expression, and has real social consequences for individuals and social institutions, art research paper.


Instead, his observations of social differences in artistic taste enable him to show linkages among taste, symbolic status, and the mechanisms by which they tend to reproduce existing status hierarchies in society at large from generation to generation.


In this way, taste becomes a badge of social honor or, conversely, of scorn, signaling to influential groups that some are more acceptable than others Art research paper [][] English sociologists of culture have been pursuing cultural reproduction from a parallel perspective, art research paper. Although they do not, art research paper, as a rule, use large surveys of taste, many have analyzed the content and uses of art research paper culture, art research paper, both high and popular.


Raymond Williamsart research paper, beginning from a Marxian perspective, and moving between literary or film criticism and academic life, was a major influence on what became the field of Culture Studies.


Beyond the simple base-superstructure correspondence of Marxism, in which culture is conceived as merely epiphenomenal to existing production relationships, Williams, art research paper, Stuart Halland Janet Wolffamong many others, conceived of culture as a constitutive practice in the construction of social meanings. They have tried to overcome the prevailing, decontextualized, literary-critical mode of analysis by elucidating the relations between, on the one hand, cultural images, objects, and practices, and on the other, social institutions and processes.


Scholars associated with the Birmingham Centre for Contemporary Cultural Studies analyzed many aspects of British youth subcultures, and their relationship to new artistic styles.




Top tips for ARTIST RESEARCH and achieving that LEVEL 9. [GCSE ART SKETCHBOOK]

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25 Great Art Research Paper Topics - A Research Guide for Students


art research paper

See our collection of art research paper examples. These example papers are to help you understanding how to write this type of written assignments. Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author’s imaginative or technical skill, intended to be appreciated for their beauty or emotional power Great Research Paper Topics on Minimalism Art. Minimalism, as a form of art, was a movement in painting and sculpture of the s. It was made clear by the use of massive and straightforward ways. Here are some art research paper topics: The elements of minimalism art in Specific Objects by Donald Judd; Discuss the rise of minimal art A list of important art research paper topics. Art history; Art in 18th century; Greek sculpture evolution; Ancient Greek Art; Censorship in art; You can also choose a topic to write your art research paper about a great artist as well. Some of the artists are: Michelangelo; Raphael; Walter Benjamin; Da Vinci ; Art Research Papers. As you can see a properly planned work will result in a great art research paper

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